Response: Remaining Committed to Religious and Cultural Criticism

Abstract

ABSTRACT Framed in the mode of an interview, this essay responds to questions surrounding the publication of Beyond Ontological Blackness: An Essay in African American Religious and Cultural Criticism (1995) in light of contemporary moves in Black studies, including Black religion and culture studies. The contemporary relevancy of the form of religious and cultural criticism presented in the book is the topic of the dialogue among contributors. My postmodern iconoclastic critique of Black essentialism—cultural, racial, or heroic—in favor of a grotesque aesthetic, which accents the comedic interplay of unresolved ambiguity and a Nietzschean robust pessimism filled with laughter, is rearticulated in light of the 21st century challenges and provocations of the religious situation discussed by the guest co-editors and contributors. Readers will discover a generous generational dialogue that models a commendable Black scholarly aesthetic.