Abstract

The respiratory system is a central part of voice production as it contributes to the generation of subglottic pressure, which has an impact on voice parameters including fundamental frequency and sound pressure level. Both parameters need to be adjusted precisely during complex phonation tasks such as singing. In particular, the underlying functions of the diaphragm and rib cage in relation to the phonation of pitch jumps are not yet understood in detail. This study aims to analyse respiratory movements during phonation of pitch jumps using dynamic MRI of the lungs. Dynamic images of the breathing apparatus of 7 professional singers were acquired in the supine position during phonation of upwards and downwards pitch jumps in a high, medium, and low range of the singer's tessitura. Distances between characteristic anatomical landmarks in the lung were measured from the series of images obtained. During sustained phonation, the diaphragm elevates, and the rib cage is lowered in a monotonic manner. During downward pitch jumps the diaphragm suddenly changed its movement direction and presented with a short inspiratory activation which was predominant in the posterior part and was associated with a shift of the cupola in an anterior direction. The magnitude of this inspiratory movement was greater for jumps that started at higher compared to lower fundamental frequency. In contrast, expiratory movement of the rib cage and anterior diaphragm were simultaneous and continued constantly during the jump. The data underline the theory of a regulation of subglottic pressure via a sudden diaphragm contraction during phonation of pitch jumps downwards, while the rib cage is not involved in short term adaptations. This strengthens the idea of a differentiated control of rib cage and diaphragm as different functional units during singing phonation.

Highlights

  • Key parameters which are regulated during human voice production include sound pressure level (SPL), fundamental frequency and harmonic richness, and are important in singing

  • While for regulation of SPL and harmonic richness all three effector units play a major role, fo is mainly controlled by the breathing apparatus and vocal fold stiffness: The active and passive forces of the breathing apparatus on the closed vocal folds create the subglottic pressure

  • Results of the analysis of open quotient (OQ), fo, psub and SPL during the pitch jump tasks are presented in the first part of the results section

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Summary

Introduction

Key parameters which are regulated during human voice production include sound pressure level (SPL), fundamental frequency (fo) and harmonic richness, and are important in singing. The effector units which control these parameters are the vocal fold oscillations, the vocal tract (VT) and the breathing apparatus. While for regulation of SPL and harmonic richness all three effector units play a major role, fo is mainly controlled by the breathing apparatus and vocal fold stiffness: The active and passive forces of the breathing apparatus on the closed vocal folds create the subglottic pressure (psub). Control of psub is essential for singing in tune, and, in turn, careful adaptation of psub is needed for singing different pitches. The question of how the breathing apparatus regulates psub during phonation is a focus of voice pedagogy, voice therapy and voice research, the details are still not understood

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