Abstract

Initially, this collaborative autoethnography brought together five authors to explore the trope of sound through re/membering the self and storying family. But it very quickly became an exploration of the inter-reliability and inner relatability of sounds of home, heritage, and the heart across diverse human lived experiences of grief, mourning, recovery, and intergenerational legacies of hope. The essay explores the relational practice between self in relation to culture that always informs autoethnography as qualitative inquiry, which is intentionally exploited and magnified in this collaborative autoethnography.

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