Abstract
ABSTRACTPublic libraries have long been associated with silence and order. Historians have argued that the architecture of library buildings has served in disciplining patrons into silent reading subjects. I argue that, in light of evolving, subjective definitions of and responses to noise, changing philosophies of librarianship and library design and the proliferation of media formats and the sounds they emit, we need to consider new ways of thinking about sound in the library, not as something to be eliminated or controlled, but as something to be orchestrated, and even designed for. In order to do so, I propose that we consider first what sounds people, buildings and media make, and then use architectural design to promote their cooperative interaction.
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