Abstract
Issues regarding gender issues are closely related to women and how their roles are constructed in social life, which creates various stereotypes that lead to gender inequality problems. In the film La Source des Femmes, gender construction is shown through narrative and cinematographic aspects. This article focuses on women's resistance to gender construction that have taken shape in the lives of remote rural women in Morocco. The analysis in this article uses a film study by Boggs and Petrie (2012) and Actor Scheme by Greimas (1967). James C. Scott's concept of resistance and Mansour Fakih's gender inequality were also used to deepen the analysis. This research is a qualitative research with descriptive method. The data in the study are in the form of words, clauses, phrases, or sentences that indicate the form of women's resistance. The findings of the analysis show that the resistance shown by rural Moroccan women aims to fight the injustice of their roles and obligations as women and housewives who have been oppressed and have directly harmed them. Through this research, it is also seen that the resistance carried out by village women has an impact on their growing awareness of self-subjectivity and redefining their role as a woman.
Highlights
Permasalahan mengenai isu gender sangat erat kaitannya dengan perempuan dan bagaimana perannya dikonstruksi dalam kehidupan sosial yang menimbulkan berbagai stereotip hingga memunculkan masalah- masalah ketidaksetaraan gender
In the film La Source des Femmes, gender construction is shown through narrative and cinematographic aspects
This article focuses on women's resistance to gender construction that have taken shape in the lives of remote rural women in Morocco
Summary
Isu mengenai gender kerap berkaitan dengan adanya ketidakseimbangan hak dan kewajiban antara laki-laki dan perempuan. Radu kerap mengangkat tema-tema yang memperlihatkan realitas sosial seperti masalah imigran dalam filmnya Train de Vie (1998) dan Live and Become (2005) hingga isu perempuan yang akan dibahas dalam penelitian ini yakni film La Source des Femmes (2011), diperankan oleh Leila Bekhti (Leila), Hafsia Herzi (Esmeralda), Biyouna (Le vieux Fusil), Saleh Bakri (Sami), Hiam Abbass (Fatima), dan beberapa tokoh lainnya. Fokus kajian dari artikel ini adalah bagaimana bentuk resistensi tokoh perempuan yang terlihat dalam film serta menghubungkan permasalahan tersebut dengan isu sosial di kehidupan masyarakat desa Maroko melalui aspek naratif dan sinematografis.
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