Resenting Byzantine Iconoclasm. Its Early Reception in Italy through an Inscription from Corteolona

Abstract

A source which can be dated to c.730 has never been discussed as evidence of an early reception of Byzantine iconoclasm in Italy. Now lost, this was an inscription put up to celebrate the foundation of a church in the newly established royal residence of the Lombard king Liutprand (712-744) in the countryside of Pavia along the river Olona, known as Corteolona. The inscription tells us that in the time in which ›Caesar Leo fell into the pit of schism from the summit of righteousness persuaded by a miserable scholar‹, Liutprand dedicated a church to Saint Anastasius the Persian. Therefore, the inscription makes use of the perceived heterodoxy of the Byzantine ruler – his attitude towards sacred images – as a chronological and negative cultural reference. In the inscription, Liutprand is cast as a champion of the Catholic Church as opposed to the heterodox Leo III (717-741). This claim naturally had wider political implications: Liutprand wanted to be seen as the supreme ruler on the Italian peninsula. The inscription from Corteolona, with others from Pavia and its surroundings, was transcribed in the late eighth century and thus transmitted to posterity. Having often escaped the attention of those interested in the echoes of Byzantine iconoclasm outside Byzantium, its text is an important document since it suggests that in early eighth-century Lombard Italy, at least in some circles, it was believed that Emperor Leo III was acting against orthodoxy, and that this could potentially lead to a schism within the Catholic Church. In the same years, the early 730s, the papacy too reacted to rumours of heterodoxy in the east, specifically in Constantinople: both a letter by Pope Gregory III (731-741) and the Roman Liber Pontificalis attest to this.