Abstract
This essay juxtaposes the process of “Othering” in the 1956 John Ford western The Searchers with my own indoctrination into White privilege as a child growing up in suburban Atlanta during the mid-to-late 1960s. The film’s stark portrayal of anti-Native American attitudes confronts the problematic construction of the non-White racial “Other” in westerns as a threat to racial and sexual purity. Its relentless pursuit of the implications of racism triggers my own confrontation with the subtle but persistent degradations of African Americans in my upbringing.
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