Abstract

The essay proposes a critical overview on the basic principles of restoration comparing with the evolution of aesthetics ideals. Starting both from the Roberto Pane theory and the fundamental documents of the discipline (Restoration Charts and Venice Chart specially) the essay points out the contemporary crises caused by Post-Modernism and the coming of new aesthetic condition. Thus the paper deepens the concept of “naught” and “nowhere” coming to prospect new opportunities for restoration in the framework of reuse project referring to the latest experience of the New Museum of Santa Maria del Fiore in Florence, Italy.

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