Abstract
As an important part of the history of art development in the world, print art occupies a vital position in the development of human society. Chinese print reached its peak in the Ming Dynasty and continued to flourish in the Qing Dynasty, when Suzhou print was formed. Suzhou print is a unique form of folk culture in Suzhou area, with extremely important historical, artistic and cultural values. However, for a long time, most of the historical and cultural values of Suzhou prints have not been fully valued and understood. In recent years, with the development of network and multimedia technology and the continuous maturity and popularization of VR technology, it has been gradually applied to the multimedia display of information. In this paper, the exhibition of Suzhou prints under VR technology will be taken as the main research direction, and the collision and integration between traditional art forms and new technologies will be explored.
Highlights
As for the origin of print, art historians can trace back to the Shang and Zhou Dynasties and even the primitive society, but no matter when its source is calculated, the print art supported by engraving techniques is bound to be associated with the generation of woodblock printing technique
Suzhou prints of this period have a wide range of subjects and a surprising number, and their artistic level and technical quality can be regarded as the model of illustration prints at that time
After the early Qing Dynasty, illustration prints gradually decreased, and Suzhou prints began to develop in another direction
Summary
As for the origin of print, art historians can trace back to the Shang and Zhou Dynasties and even the primitive society, but no matter when its source is calculated, the print art supported by engraving techniques is bound to be associated with the generation of woodblock printing technique. At the end of the Qing Dynasty, Suzhou’s Shantang Street and Taohuawu New Year Pictures declined, but with the rapid development of Shanghai’s economy and the prosperity of the market, a number of painters and craftsmen from Suzhou were successively employed here (Du, 2005). At this time, the rise of the calendar pictures accelerated the decline of Suzhou prints. The combination of traditional New Year pictures and commercial art opened up a new art form, which inevitably influenced Suzhou print It was an important reason for the decline of Suzhou print in the late Qing Dynasty.
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