Abstract

Stone stacking represents a high concentration and replication of natural mountain landscape, while stone stacking art serves as a significant element and a key tool in traditional Chinese landscape design. This paper presents the artistic background and characteristics of stone stacking. Through the analysis of the form symbol and design method of “spring, summer, autumn and winter”, this paper proves that the application of cultural symbols in product design is effective and can be used as a method of auxiliary design.

Highlights

  • Artistic Characteristics of Stone StackingThe techniques of stone stacking are employed to bring people closer to nature and foster natural beauty in the landscape space

  • 1 Background of Stone Stacking Art this idea has profoundly influenced the art of hill stacking and stone arrangement

  • The stone stacking art originated in the Qin and Han dynasties

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Summary

Artistic Characteristics of Stone Stacking

The techniques of stone stacking are employed to bring people closer to nature and foster natural beauty in the landscape space. It can create and manifest the beauty of artistic conception, thereby achieving the realm of “finite shapes, but infinite conceptions”. With regard to the composition of stone stacking landscape, “Xishu garden attaches significance to highlight the memorial space ambience and humanistic atmosphere by stone stacking”, thereby fostering the spatial beauty of ancient, rustic, exquisite and elegant, being rich in local sentiment and dense in literary style

Morphological Symbolic Analysis of the Stone Stacking Art in Geyuan Garden
Arrangement and Layout
Integration of Virtual and Practical
Smart Use of Associations
Conclusion

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