Abstract

The twentieth century was a period of rapid development of post-modern art, which had profound impact on postmodern design in form, concept, aesthetics. Contemporary design have different levels of absorption and extension of creative way modern art, ideas, techniques, forms. Under this background, link between and design becomes more compact. Installation art, as a new expression language, began to seep into widely different levels of design. Its contemporary design practice present us with new landscape and design which combined with each other. Overview of Installation birth Installation originated in Europe in early 20th century, and its essence is a non-shelf art, which is human use of state goods confession. It was derived from art word proposed by famous French artist Marcel Duchamp, which is, people said later, installation art. By its very nature is misplaced, vacant, segmentation, and a collection of ready-made superposition techniques to reconstruct, and give it new meaning point. The English expression is the of assemblage. Chinese translated as assembly or set, can be seen from time of translation means in reality is of traditional tatami ism covert use, value of its performance lies sensuous disturbs existing properties and properties of finished product itself will be different after collision impact on viewer. At time, there will be all kinds of garbage, such as a direct move to Exhibition Hall, stacking or poured into a monument-type container, which make people aware of fact that in today's era of waste such as mountains, pollute environment artists, such as Oman, Bo Ruiz, Cesar, labor Shen Berg, who has had similar works, it should be said is most classic, but also means return of works of most origin.

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