Abstract
Disavowing archival footage and rejecting a standard time frame, Claude Lanzmann's documentary on the extermination of European Jewry relies on interviews with Holocaust victims and victimizers to evoke the character of the bureaucratic mode of mass death.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Film & History: An Interdisciplinary Journal of Film and Television Studies
Paper Title
Journal
Date
