Abstract
Masculinity refers to the roles expected of men by gender ideology. Masculinity studies after 1990 revealed that masculinity cannot be taken as a universal subject. Another important concept in this study is orientalism. Orientalism generally refers to the West's point of view regarding the East. In Western narratives, Eastern women are generally depicted as oppressed heroes, and men as heroes who are always strong. However, alternative narratives reveal that different forms of femininity and masculinity can be seen in Eastern societies. In this study, a Syrian director's film named My Favorite Fabric is analyzed with a semiotic method within the framework of these concepts. When the representations of masculinity in the film are examined, it is seen that different forms of masculinity are constructed, and an alternative to the orientalist discourse is presented accordingly. It has been revealed that different variables are effective in the construction of masculinities.
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