Abstract
In this article, we intent to observe how the representations of love are engendered on a film narrative and analyze the possible changes in those representations. The study design is qualitative, empirical-theoretical. The corpus of analysis consists of the narratives of film production entitled Medianeras – Buenos Aires na era do amor virtual. The interpretation held on a psychosocial perspective. The narratives indicate different paths to love, that are built based on the triad I-alter-world. Even though it has no single format, love insists, revealing itself in the urban architecture, including the medianeras.
Highlights
Neste artigo, pretendemos observar como são engendradas representações do amor e analisar as possíveis transformações nessas representações
We intend to observe how the representations of love are engendered on a flm narrative and analyze the possible transformations in those representations
Te corpus of analysis consists of the narratives of a flm production entitled Medianeras – Buenos Aires in the times os virtual love
Summary
Pretendemos observar como são engendradas representações do amor e analisar as possíveis transformações nessas representações. O corpus de análise consiste nas narrativas da produção cinematográfca intitulada Medianeras – Buenos Aires na era do amor virtual. A interpretação sustentou-se em uma perspectiva psicossocial. As narrativas indicaram caminhos diversos para o amor, que são construídos com base na tríade eu-outro-mundo. Ainda que este não tenha um único formato, o amor insiste, revelando-se na arquitetura urbana, inclusive nas medianeras
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