Abstract

The practice of music therapy with adolescents is growing around the globe and there is increased recognition that young people have particular needs. In this report, we share information received from 247 music therapists about training about and practice with adolescents that was collected in 2016–2017. The music therapists were from 25 countries and had the option of answering questions in three languages—English (n = 114), German (n = 97) and Italian (n = 36). The most common workplaces were hospitals and schools with young people who have disabilities and mental health challenges. Answers also suggest that employment patterns in the field are slightly different to other colleagues who work with similar adolescents, and although ongoing work is available, the number of hours are not high overall. The information gathered provides a picture of how university programs around the globe emphasise the importance of emotional and social needs of adolescents, and the value of developmental and humanistic approaches to practice in a range of contexts. There was less reference to contemporary theories or practices and more emphasis on traditional practices that are similar to those used with adults. This suggests that the field may still be evolving in relation to adolescent approaches to practice, and the time for rebellion against dominant traditions of practice and theorising may be still to come. In the meantime, there is remarkable consistency across the countries surveyed and solid foundations have been laid for competent music therapy practice with young people.

Highlights

  • Many music therapists work with adolescents, this work is not always distinguished as being different from work with other age groups

  • Work with adolescents across the world. It was undertaken by three music therapists who have been working with adolescents in a range of contexts for some years and who were interested to compare what they were aware of with a broader subsection of therapists from around the globe

  • We approached a number of music therapy organisations to see if they would be willing to distribute a link to the survey, which the German organisations responded to, along with the British Music Therapy Association

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Summary

Introduction

Many music therapists work with adolescents, this work is not always distinguished as being different from work with other age groups. The most quoted is Erik Erikson (1968) who emphasised the task of identity formation during this period, and the risk of role confusion if this was not achieved Binary understandings such as Erikson’s are increasingly critiqued in the literature, and some commentators have highlighted that adolescence is not a universal stage, but rather, a Western construct based on adult expectations of how young people should behave (Epstein, 2007). The responses in this report are mostly from Western countries where this construct does still seem to be relevant and where concepts such as ego-development are still of interest to developmental theorists (i.e., Loevinger, as cited in Kroger, 2004) Even within these limits, the concept of adolescence is rapidly changing from the society that Erikson (1968) was referring to. In the German literature, a book was published in the same decade on music therapy with children and adolescents with developmental problems

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