Abstract
At present it is no exaggeration to state that facilities and opportunities for study and advanced research in the History of Art are more favorable in France than in any other country in Western Europe. Not only are the vast majority of museums open to the general public but also the libraries, archives and other documentary sources are available. The French, it should be added, are also anxious to help foreign students and scholars and will do everything possible to facilitate opportunities to visit monuments or collections or to consult any type of documentary material.
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