Abstract
In the creation of short animated films, confrontation is a common plot structure. This is because conflict quickly highlights the emphasis of the plot, and allows the audience to focus on the evolution of the event. The repetition technique is an indispensable part of the narrative in confrontation. As there are often core opposing problems in these situations, how the problems are shown from their generation, through evolution to solution must be weighed through the repetition technique to achieve the intensity and change of the opposing event. In other words, while effectively highlighting the focus of the plot, the repetition technique also plays an important role in its evolution and richness. This is also why the narrative technique is often used in short animated films. Given that, the narrative technique is worthy of further discussion and analysis in order to summarize valuable results. This is the core purpose of this study. In this study, the formation conditions and relationship of confrontation plots are clarified through text and case analysis, and further, the operational reasons and functions of the repetition and turning points in the confrontation plots are studied. It is hoped that this study will contribute to the creation and appreciation of animation.
Highlights
As there are often core opposing problems in these situations, how the problems are shown from their generation, through evolution to solution must be weighed through the repetition technique to achieve the intensity and change of the opposing event
The formation conditions and relationship of confrontation plots are clarified through text and case analysis, and further, the operational reasons and functions of the repetition and turning points in the confrontation plots are studied
The subject-object confrontation form, the relationship between conflicts and repetition, and the turning points in conflicts are investigated through the analysis of the relationship between the confrontation plots and repetition
Summary
The motion performance of animation is fully developed and variable in terms of themes, visual techniques, and narrative layouts. In many similar animated short films, confrontation narrative structures and the repetition are inseparable. These seemingly simple narrative techniques can create amazing stories. Based on the relevant literature, there is a lack of research and discussion about this narrative technique. In this study, the structural relationship between confrontation plots and repetition is preliminarily discussed through literature and case analysis. 2) Analyze the relationship between repetition and confrontation plots. The structure and relationship between confrontation plots and the repetition narrative technique in animated short films are discussed. Film music, sound effects, editing, color and other constituent elements, as well as non-plot art creations, are not included in this study
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