Repetition with a difference

Abstract

The paper examines how the return to Westeros demonstrates the audiences’ desire for “repetition with a difference,” focusing on the political underpinnings of worldbuilding and storytelling presented in House of the Dragon (2022–). A prequel to Game of Thrones , HOTD repeats the setting and many crucial figures, dynamics, and plot points of the original. Seemingly in response to fan criticism of the politics of representation in terms of race, gender, and sexuality in GOT , though, HOTD envisions a past of Westeros that strangely seems more progressive than its storyworld’s “future.” We argue that these temporal shifts can be read productively through the concept of queer temporality, challenging linear notions of time and progress. HOTD presents a seemingly progressive narrative that locates queerness and racial diversity in the past; in this vision, any potential progress thus becomes confined to the past, disappearing from the future of this fantasy storyworld. We argue that attending to the slight shifts in emphasis between GOT and HOTD provides an opportunity to identify changes in audiences’ expectations. We ask: what kind of queer pleasures are mobilized when audiences are invited to revisit a familiar world, but also to re-memory GOT , the original text, with the knowledge of its diverse past as depicted in HOTD ?