Abstract
It is no mere coincidence that the Omnibus production of Another Two of the Many Tales for a Lost Tribe starts with J.S. Bach’s “Passacaglia in C Minor.” No mere coincidence, no, but a strict adherence to René-Daniel Dubois’s text, a text boiling over. Boiling over into music? No; into harsh counterpoint instead – an obsessive theme perpetually running after itself, eight bars in self-pursuit, words looking for themselves, a simple sentence swiftly uttered twofold, threefold, fourfold, off chasing itself, forever catching up with itself too late; a simple sentence whose breathless repetition winds into a huge, increasingly dense skein. The same sentence, amplified from one voice to the next.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
