Abstract
On April 4, 2014, the EYE Film Institute Netherlands (Amsterdam) celebrated its second birthday with a spectacular “Filmbal” party to mark the second anniversary of the Dutch film archive’s new venue. The futuristic EYE building stands out with its ethereal bulk and imponderable volumes in the new Amsterdam Noord quarter. In this temple of “remix,” visitors experience a composite encounter with different ages of film history and modes of engaging with moving images. Chief curator Giovanna Fossati describes the museum experience as follows:
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