Abstract

If the Civil Rights Movement is `dead,'(1) and if it gave us nothing else, it gave us each other forever, wrote Alice Walker her first published essay, 1967 (Gardens 128). Her statement is true for Walker as an African American woman and as a writer. The Movement reaffirmed African Americans' connection to each other as a people and to their history of struggle against oppression. The Movement also allowed Walker to claim her self--she has described herself as to by the Movement--and to claim the lives of African American women of the rural South as the subject of her fiction (Gardens 122). Walker grew up rural Georgia, and, as a student at Spelman College from 1961 to 1962., she became involved the Atlanta Movement, working at voter registration and participating marches and demonstrations (J. Hams 33). Inspired by Martin Luther King, Jr., who urged civil rights workers to `Go back to Mississippi ... go back to Georgia,' his speech during the March on Washington 1963, she returned to the South for two summers and went to live Mississippi during the late 1960s and early 1970s, working at voter registration, teaching Headstart teachers and writing stories about rural southern black women. (Gardens 163, 27). Participation the Civil Rights Movement was central to Walker's life not only as a young woman but also as a young writer. She has written about the Movement some of her early poems, short stories, essays, and briefly her first novel, The Third Life of Grange Copeland (1970), but Meridian (1976) is her novel of the Civil Rights Movement. Meridian is more than a novel about the Civil Rights Movement, and critics have focused on many aspects of this complex work.(2) But I would like to focus on Meridian as a novel of the Civil Rights Movement and try to show how Walker used her experience the Movement and the experience of others of her generation to deal with the social, political and philosophical issues raised by the Movement, issues that continue to engage us today. Other critics have focused on the Civil Rights Movement discussing Meridian,(3) but they do not discuss the connection between Walker's experience the Movement and the novel. Alice Walker is the only major African American woman writer who came of age during the Civil Rights Movement and participated it and the only one to write a novel about the Civil Rights Movement.(4) By 1970, when Walker began to write Meridian (J. Harris 33), the Civil Rights Movement, which offered the hope of Freedom Now! and the ideal and practice of nonviolence and and White Together, had been declared dead. Many young blacks had given up on white Americans and on nonviolence, because of their experience of white racist violence and intransigence the Civil Rights Movement. As early as 1963, Anne Moody, a young black woman active the Movement Mississippi, began to question everything I had ever believed in and to think Nonviolence is through, after a black church Birmingham, Alabama was bombed by racist whites and four young girls attending Sunday school were killed (Moody 320, 319). Despite the Movement, 1970 the United States continued to be racially divided and violent against black people. By 1970, some people, who called themselves black nationalists or black militants, and whose slogan had become Power, urged black women, who had struggled for their freedom along with black men the Civil Rights Movement, to subordinate themselves to black men, to make themselves less, for the good of their people. In an essay published 1973, while she was writing Meridian, Alice Walker quotes Barbara Sizemore, writing The Black Scholar, on the new `nationalist woman': `Her main goal is to inspire and encourage man and his children. Sisters this movement must beg for permission to speak and function as servants to men.' (qtd. Gardens 169). Both Walker and Sizemore viewed this development the freedom struggle with dismay. …

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