Abstract
Two decades into the twenty-first century, the research and the study of dramaturgy, and likewise every theatre maker, confront some grand challenges: What is the place and the potential of dramaturgy - and by extension, of theatre at large - in our contemporary, digital, globalised and ever more populist and anti-democratic world?
 This text is based on my inaugural lecture as Professor of Dramaturgy at Aarhus University, given at the Department of Dramaturgy and Musicology on 25 June 2019.
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