Abstract
Writing and editing interfaces have profound implications for the subjectivity of human writers and editors, and hence the conditions of digital scholarly knowledge production. The extent to which the cultural inflections of such interfaces reflect the social, political, and technical contexts of their production emerges from a consideration of Author/Editor, the first software program dedicated to editing Standard Generalized Markup Language, and its provenance in Canadian literature, publishing, and cultural nationalism. The design of editing environments to negotiate tensions endemic to socialized and networked scholarship is increasingly crucial as reading and consumption merge with writing and production.
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