Remediating family memories of Italian colonialism: Beyond the Frame as process and product

Abstract

The article analyzes Beyond the Frame ( Oltre i bordi, 2023), a film based on Simone Brioni's fortuitous discovery of a family archive: a box of photographs taken in Italian East Africa in the 1930s by a distant relative. Beyond the Frame discusses colonial photography and visuality, as well as the material legacies of that past, challenging the gaze through which they framed the subjective and collective idea of Africa in Italian society. The article is divided into two parts, each of which discusses colonial photography and how Beyond the Frame observes, interprets, and reflects on how the legacy of colonialism shapes our present. In the first part, Brioni traces the process that led to the construction of a narrative that interweaves personal reflections and collective history. In the second part, Gianmarco Mancosu draws upon Ann Laura Stoler's work to discuss how the colonial archive and the remains of empire fashion our present, with a particular emphasis on photography and on colonial traces in the Italian cityscape. The article shows how the film works with as well as against the archive: how it enacts a process of resignification, thus modifying the original meaning of colonial pictures.