Abstract

Traditional didjeridus are unusual and ancient lip‐valve instruments with an irregular bore that is largely constructed by termites eating the interiors of small eucalypt trees. This produces instruments with a broad range of bore geometries with many details not immediately apparent to a player. They are therefore well‐suited for examining relationships between subjective assessments by players and their measured physical properties. In this study, seven experienced players assessed 38 didjeridus that spanned a wide range of quality, pitch and geometry. A control group of 11 plastic cylindrical pipes were also studied. Eight subjective parameters (backpressure, clarity, resonance, loudness, overtones, vocals, speed, and overall quality) were assessed and the ranking of each instrument correlated with measurements of their geometry and acoustic input impedance spectrum. A strong result of these experiments was the finding that the ranked quality of a didjeridu correlated negatively with the magnitude of its acoustic input impedance, particularly in the frequency range from 1 to 2 kHz. Maxima in the impedance of the player's vocal tract would have a greater effect on instruments with a low impedance, thus favouring the production of the varying spectral peaks or formants in the sound envelope that characterise this instrument.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call