Abstract

AbstractThis study aims to develop a ballet choreography concept in which the relationship between physical information about the body parts that compose the ballet movements (cognitive elements) and the viewer's impressions (human cognitive evaluation structure) is clarified using Kansei engineering methods (rough sets and principal component analysis). The results showed that the cognitive structure of the choreography can be evaluated from the viewer’s point of view, i.e., what kind of body poses to take in each of the main dance image groups (expressiveness, figuration, and aesthetics), and, furthermore, the most important features of the cognitive structures that enable the creation of choreography from the viewer’s perspective were revealed.KeywordsRough setsClassical balletDance pose

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