Abstract
As M. Marković claims „there is dark over each of our histories, as well as over the cultural one“, the aim of this paper is: a) to show unexplored or forgotten facts related to the history of our plays, to prove that the history of plays in Bosnia and Herzegovina can be observed from the Medieval times; b) to position and analyze Bosnian and Herzegovinian plays in a social, cultural and artistic context. Overviews of repertoires of professional theatrical institutions and audience habits, especially in the post-World War II period, can help in the understanding of the specific contemporary position of domestic plays on theatre stages in Bosnia and Herzegovina.
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