Relações entre o pós-digital e o complexo industrial do capitalismo: reformulações sobre a tecnologia como ideologia e lixo digital na arte

Hugo Filipe Rodrigues Paquete ,Adérito Fernandes-Marcos,Paulo Bernardino Bastos

doi:10.37390/avancacinema.2021.a236

Abstract

This essay presents a mapping of the historical concepts that contributed to the emergence of post-digital aesthetics and their connections to the concept of post-media in historical terms. It also analyzes the transition from techno-positivism to discourse of resistance against the effects of the capital technological industrial complex and how these advances in technology influence artistic discourses, practices and are the leverage of art and technology which is nothing more than a representation of the aesthetics of capital. Following art and capitalism as an ideology of innovation. Is proposed an unstinting theory about technology, geology, and the importance of these conditions to the post-digital aesthetics in terms of material disponible and conceptual articulation. Producing a reconfiguration of the post-digital conceptual approach as I propose beyond the dysfunctional aesthetics and connected with the concept of radical ecology centered in the usability of electronic garbage and technical obsolescent technologies in the arts.

Highlights

This essay presents a mapping of the historical concepts that contributed to the emergence of post-digital aesthetics and their connections to the concept of post-media in historical terms
Na revista La Quinzaine littéraire, (Guattari 1986) o autor diz que estamos a entrar na Era Pós-Media
Então, as seguintes ideias sobre a Association for Strategic Accidents compiladas no texto de Ed van Meegen de 2006: The ASA claims that if we want to be progressive in a social as well as technological sense, we have to deal with the construction of risk

Summary

Introduction

This essay presents a mapping of the historical concepts that contributed to the emergence of post-digital aesthetics and their connections to the concept of post-media in historical terms. Traçar as origens do conceito de Pós-digital é relevante para conseguirmos abordar o tema numa perspetiva histórica, sobre o impacto da tecnologia na sociedade e na produção artística, seus efeitos e consequências nos discursos e na produção da arte e como esta evolução é profundamente interligada com o complexo industrial e tecnológico do capital.

Results

Conclusion