Abstract

This article analyzes the literary works of transnational Peruvian Quechua poets Fredy Roncalla (Apurimac 1953), Odi Gonzales (Cuzco 1962), and Chaska Anka Ninawaman (Cuzco 1972). It addresses ethnic Quechua reinvindication, identity politics, and denounces the exclusions Quechua people suffer in various cultural and social contexts, focusing, moreover, on each poet’s transnational perspective. Roncalla underlines Quechua people’s flexibility to adapt and overcome problems from New York City. Anka Ninawaman manifests her confidence in the Quechua community and family from Paris. Also from New York City, Gonzales suggests the dismissal of Incan mythic realms. All three poets have thus incorporated new topics and registers into the written Quechua literary tradition. Roncalla, Gonzalez and Anka Ninawaman distance themselves from the two versions of utopic horizon typical of the 1980s, in the then ongoing debate on the future of Peru, namely, Alberto Flores Galindo’s “Andean Utopian” and Mario Vargas Llosa’s “neoliberal utopia”.

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