Abstract

This paper, or ‘experiment,’ draws on data from a health and fitness scrapbooking project with four Black and Latinx youth. While the data are part of a longer 18-month visual ethnography (Pink, 2013), the focus here began to consider one week of the project in which the four youth and I interacted with health and fitness related magazines. In that week, we created magazine re-assemblages in our scrapbooks. To reimagine what ‘matters’ for education research and pedagogical practices in health, fitness and physical culture, I re-visited data (Levy, Halse & Wright, 2016) through an affective lens (Deleuze & Guattari, 1987), drawing on PhEmaterialism (Ringrose, Warfield & Zarbadi, 2019). The affective lens produced a collage inquiry entangled with doubt (Holbrook & Pourchier, 2014), wonder (MacLure, 2013a) and slowness (Renold, 2018), which began to open up possibilities to think-see-feel my way through the data and the process differently.

Highlights

  • While PhEmaterialism is composed of multiple theories (Ringrose et al, 2019), one in particular came to matter in this research – affect (Deleuze & Guattari, 1987; Hickey-Moody, 2013; Niccolini et al, 2018)

  • As I wrote in the ‘prologue,’ I did not begin this doctoral dissertation with an affective lens

  • Seigworth and Gregg (2010) wrote in their introduction to The Affect Theory Reader, “There is no single, generalizable theory of affect” (p. 3) and, I do not stick to a clear ‘definition’ as I work with affect throughout this ‘experiment.’ Still, I would be remiss if I did not mention how I came to think-work with affect in the instance of this paper

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Summary

What does this paper do?

Parts of the data (and the process) kept nagging at me and could not be captured through traditional qualitative approaches As this nagging continued, I was drawn to affect (Deleuze & Guattari, 1987); these were the sensations, intensities and forces of everyday life that began to (unexpectedly) manifest in relations between human (researcher, participants) and non-human (materials, knowledge, culture) bodies, in turn, producing further affects (or potential openings and/or closings). I was drawn to affect (Deleuze & Guattari, 1987); these were the sensations, intensities and forces of everyday life that began to (unexpectedly) manifest in relations between human (researcher, participants) and non-human (materials, knowledge, culture) bodies, in turn, producing further affects (or potential openings and/or closings) Through such re-visiting and re-thinking (Levy et al, 2016), this paper began to draw on one week of a scrapbooking project that was part of the 18-month visual ethnography. This journey came to (re-)present the affective inquiry, an entanglement of theory, methods and ‘findings,’ that is explored

An affective inquiry
Reimagining research and practice through affect
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