Abstract

This article offers an ecocritical analysis of Ali Smith’s Hotel World (2001) and Ewan Morrison’s Tales from the Mall (2012). Through a combination of the world-ecology paradigm, feminist approaches, and queer theory, I argue that these texts connect normative desires to capitalism’s “organization of nature.” The opening section of the article links Nancy Fraser’s work on social reproduction to Jason Moore’s argument that nature, in world-ecological terms, provides the “free gifts” (of work, energy, and even care) necessary for capitalist productivity. Morrison’s and Smith’s texts register this dynamic, positioning hierarchy, sexism, and the uneven experience of neoliberal violence in relation to enclosure, attacks on women, and environmental destruction. I detail how Hotel World binds suburban ecology to normative regulation, while Tales from the Mall connects land clearance to the geographical organization of class inequality. I then contend that the psychological and physical exhaustion of women in both works can be understood in relation to capitalism’s reduction of nature to an appropriable resource that provides comfort and pleasure for wealthy consumers. The article ends with an examination of how the texts reject liberal fantasies of benevolent capitalist globalization in the context of Scotland specifically, indicating the need for new narratives that challenge capitalism’s ecological regime.

Highlights

  • Take a trip through the urban networks of late capitalism and you are certain to find malls and hotels in various forms

  • This article argues that Hotel World and Tales from the Mall interrogate how capitalism operates through class disparity, ecological plunder, heteronormativity, and mass consumerism

  • Hotel World expresses how the “law of cheap nature” materializes through capitalism’s combined and uneven development, registering how the improvement of the standard of living for humans in core zones depends upon violent appropriation regimes in global peripheries (Moore 2015, p. 290)

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Summary

Introduction

Take a trip through the urban networks of late capitalism and you are certain to find malls and hotels in various forms. Ali Smith’s Hotel World (2001) and Ewan Morrison’s Tales from the Mall (2012) feature various incarnations of the undead, from actual ghosts to de-humanized labourers, evoking the alienation of capitalist consumerism.

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