Abstract

In this article we make a review and an analysis of the litterary creation that the Argentine writer Eduardo Sacreri (Buenos Aires, 1967) exposes in his work La vida que pensamos Cuentos de fútbol. Often, Sacheri is portrayed as a writer who reached popularity in a surpressive and lucky way. The reflections he alternates in the different tales which compose the book challenge that idea and show a very conscious author. A closer analysis of his work reveals considerable craftmanship both in the tone as in the style, and professionalism in the metalitterary representations.

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