Reflections: On Strike MoMA, Caribe Fractal and Decolonial Feminisms as Political Arts Practice

Abstract

Abstract: This piece is an assemblage of two voices meditating on the Strike MoMA protests, the work of digital humanities/material project [Taller] Electric Marronage, and the ways that decolonial feminisms allows for a complex understanding of our roles and commitments to practices that span across and beyond western institutions (including museums and universities). By tracing these events and experiences through a decolonial feminist politic, we aim to render transparent the tangle of insurgency and complicity that we negotiate as Black/Latina scholars and organizers within dominating institutions. The essay further considers the content and context of the art exhibit "Caribe Fractal/Fractal Caribbean" by José Arturo Ballester Panelli and how fractality, ecology, and the sacred are linked to human living beyond capitalism and fragmentation. In the wake of the pandemic fractality, ecology, and the Sacred are tools for practicing intersubjectivity and relationality.