Abstract
rough my practice as a live coder of music, I have enjoyed varied collaborations with percussionists, live artists, performance artists, dancers and choreographers, as well as other live coders. In the following short paper I will reflect on a number of these collaborations, including with/within algorave, live Jazz improv, performance art and choreography practice. Some focus will be on the role of time and language, as core themes embedded in “live coding”, but I will also consider wider cultural issues, and of the role of collaboration in making live coding meaningful. I conclude by considering how technology could beer support close collaboration in the future.
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