Abstract

Buddhist motifs and allusions occur frequently in The Tale of Genji, but their presence has received little scholarly attention. This article addresses the famous opening passage of the “Wakamurasaki” (“Lavender”) chapter in which the hero first sees his future wife Murasaki. The scene is characterized by allusions to the Lotus Sutra, including the mention of the Dragon King’s daughter (Chapter 12) in connection with Murasaki (and later the Akashi Lady), and the image of the stupa suspended in midair (Chapter 11) that is introduced into a waka exchange. Analogous allusions are found in Heian-period shakkyōka (waka on Buddhist themes).

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