Reflecting on archaeology and the understanding of Song of Songs

Abstract

The question of archaeology corroborating any ‘historical information’ is excluded from the outset by the poetic genre of Song of Songs. This contribution therefore focusses on archaeology’s more modest purpose as far as its relationship with texts is concerned, namely whether it can facilitate the understanding of the text by investigating the material culture that features in Song of Songs. Archaeology is therefore understood in terms of its more extended definition, including artefacts, (cultural) objects functioning as metaphors, and historical geography. Attention amongst others will be paid to cities mentioned (Heshbon, Jerusalem, Tirzah), the (not founded) David’s Tower, Pharaoh’s palanquin, fauna and flora, as well as pottery. Contribution: Although archaeology cannot inform everything in the text, the continuous archaeological endeavour has the hermeneutical function to transpose the reader into the ancient life (love) world (pun intended), preventing him or her of anachronistic projection of the present-day readers own world into the text, but also appreciating the (possible) common human condition which the present-day reader shares with the world of the text.