Abstract

Research on the influence of reference frames has generally focused on visual phenomena such as the oblique effect, the subjective visual vertical, the perceptual upright, and ambiguous figures. Another line of research concerns mental rotation studies in which participants had to discriminate between familiar or previously seen 2-D figures or pictures of 3-D objects and their rotated versions. In the present study, we disentangled the influence of the environmental and the viewer-centered reference frame, as classically done, by comparing the performances obtained in various picture and participant orientations. However, this time, the performance is the pictorial relief: the probed 3-D shape percept of the depicted object reconstructed from the local attitude settings of the participant. Comparisons between the pictorial reliefs based on different picture and participant orientations led to two major findings. First, in general, the pictorial reliefs were highly similar if the orientation of the depicted object was vertical with regard to the environmental or the viewer-centered reference frame. Second, a viewpoint-from-above interpretation could almost completely account for the shears occurring between the pictorial reliefs. More specifically, the shears could largely be considered as combinations of slants generated from the viewpoint-from-above, which was determined by the environmental as well as by the viewer-centered reference frame.

Highlights

  • The Effect of Orientation on the Shape PerceptA well-known and striking example illustrating the importance of the orientation of an object on its appearance is a square turning into a diamond when being oriented onto one of its corners (Mach, 1886/1959)

  • We compared the pictorial reliefs based on different picture orientations and participant orientations

  • We suggest that the viewing-from-above bias is determined with respect to the viewer-centered reference frame and with respect to the environmental reference frame

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Summary

Introduction

The Effect of Orientation on the Shape PerceptA well-known and striking example illustrating the importance of the orientation of an object on its appearance is a square turning into a diamond when being oriented onto one of its corners (Mach, 1886/1959). Participants rotating a single shaded disk until it appeared maximally convex in different conditions of presentation (i.e., with the participant in upright position or on the side, in either a normal or a tilted room) were influenced by gravitational, visual, and bodily cues (Jenkin, Jenkin, Dyde, & Harris, 2004). Aside from the studies on face perception and on biological motion, naming familiar objects was reported to be more dependent on the viewer-centered reference frame than on the environmental reference frame (McMullen & Jolicoeur, 1990). The ‘‘perceptual upright’’ (as related to the upright orientation of objects) was largely influenced by the viewer-centered reference frame, by the body orientation, and to a lesser ( still considerable) extent by the visual information from the scene as well as the gravitational information (Dyde, Jenkin, & Harris, 2006)

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