Abstract
Symmetric patterns are more appealing to human observers than asymmetric ones. Here, we investigate the visual information processing mechanisms underlying this aesthetic preference. All stimuli were derived from phase scrambled versions of forty face or nature images. In addition to the scrambled images, there were four other types of test image: symmetric, in which one part of the image was a reflection of another around an axis; repetitive, in which one part of the image was a copy of the other; anti-symmetric, similar to symmetric but with the contrast of one side reversed; and interleaved patterns, in which half of the symmetric pattern was replaced by a scrambled image. The number of axes ranged from 1 to 16 for all image types. The task of our 20 observers was to give a preference rating to each image on a 6-point Lickert scale. The preference rating increased with the number of axes for all stimulus types. The observers showed a similar preference for symmetric and repetitive patterns and slightly less preference for anti-symmetric patterns. The preference for interleaved patterns was much less than for other types of stimuli. Preference for an image cannot be explained by either the ecological significance of its content or the slope of its amplitude spectrum. Instead, preference can be accounted for by the complexity of the image.
Highlights
Symmetry occurs when some part of an image is a reflection of another part about a certain axis
It is a desirable feature in many different types of human aesthetic experience
Many authors have advocated the evolutionary origin of human aesthetic preferences [7,8,9]
Summary
Symmetry occurs when some part of an image is a reflection of another part about a certain axis It is a desirable feature in many different types of human aesthetic experience. The importance of symmetry in architecture and landscape design is well known and has been carefully observed since the first century BCE, as demonstrated in the classical architectural writer Vitruvius’ thesis [1] writing in circa 15 BCE, to modern days [2]. It is a defining factor in a well-designed Zen garden [3]. A person with a more symmetric face or body is considered to be more sexually attractive [16]
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