Red Lotus in the Twenty-First Century: Dilemmas in the Lao Performing Arts

Abstract

The small and sparsely populated country of Laos is squeezed between Thailand and Vietnam, and receives information, financial investment, and cultural influence from both – arguably overwhelming the development of its own modern identity. While theatre has often been a popular and important means of disseminating cultural information and values in societies with low literacy levels, in today's Laos the mass media have become the most influential source of information and influence, with Thai television dominating the Lao airwaves – and Vietnamese-style socialist realism still the model for the live performing arts. Although the troupes disseminate didactic messages deemed important by the central government, they are supported primarily by foreign aid agencies that also dictate their content. In the following article, Catherine Diamond traces the history of the three major performing arts in Laos, describes their present state, and assesses the difficulties they face in developing along their own creative and artistic paths. Catherine Diamond teaches theatre and ecology in literature at Soochow University in Taipei, Taiwan. She is a theatre reporter in Southeast Asia, and has previously written about theatre in Burma, Vietnam, Turkey, and the Czech Republic for NTQ.