Abstract
This article presents a close reading of two costume designs from Takahashi Rumiko’s Inuyasha series (manga 1996–2008), and details the methods used to create a pair of cosplay costumes. It will explore how character designs are imbued with identity and narrative foreshadowing. Throughout this article, reference will be made to fan scholarship in addition to more academic sources. As Matt Hills points out with his model of the ‘scholar-fan’, fans are often conducting research and work that academics have yet to address, and this is often the case with anime fandom. Further, my work on cosplay treats fan-constructed costumes as an act of fan translation akin to other activities such as ‘scanlations’, that is scanned translations of manga, comics or graphic novels.
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