Recreating the real, realizing the imaginary—a composer’s preoccupation with acoustic space

Abstract

For centuries composers have been concerned with spatialization of sound and with the use of acoustic spaces to create feeling, atmosphere, and musical structure. This paper will explore Rob Godman’s own use of sound in space, including (1) his treatment of ancient Vitruvian principles and how they are combined with new technologies; (2) an exploration of virtual journeys through real and imaginary acoustic spaces; (3) how sounds might be perceived in air, liquid, and solids; and (4) how technology has allowed composers to realize ideas that previously had only existed in the imagination. While focusing on artistic concerns, the paper will provide information on research carried out by the composer into acoustic spaces that are able to transform in real time with the aid of digital technology (Max/MSP software with sensor technology) and how these have been used in installation and pre-recorded work. It will also explore digital reconstructions of Vitruvian theatres and how we perceive resonance and ambience in the real and virtual world.