Abstract
In the last decades Orphic scholarship has found itself in rather fortunate circumstances: there have been not only spectacular finds such as the Derveni Papyrus and the so-called Orphic Gold Tablets, but these texts together with all the other fragments ascribed to the authoritative author-figure Orpheus have been made accessible in the new and extensive edition by Alberto Bernabé (2004–7). Understandably, recent discussions have focussed especially on the new material. Nevertheless, much work remains to be done on those fragments with which we have long been familiar. The present study puts a new complexion on a text long taken as evidence for an Orphic theogony.
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