Abstract

Far from dense Chinese cities that experience fast demolition, ruination in Kouquan, a coal town in Datong, is a slower process that generates new practices and meanings. Uninhabited industrial spaces continue to produce a sense of place where large industrial corporations no longer operate and where most residents have moved away. This article brings out new perspectives on the effects of ruination in an industrial area by moving away from the lenses of the work unit, demolition, heritagisation, or decline. Based on direct observation, informal discussions with local residents from 2016 to 2019, and an online review, this article shows that ruination produces spatialised narratives and practices closely entwined with the local population’s experiences, as well as with other actors’ direct and indirect interactions with places: these actors reconnect to the uninhabited town through dwellings, artistic production, religious practices, or simply through their visits to Kouquan, becoming urban explorers themselves. Ruination leads remaining residents, former locals, visitors, government actors, journalists, and artists to the production of new representations of the uninhabited town.

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