Abstract

ABSTRACTFocusing on the inter-war period, this article examines the context of the publication of Sir Hilary Jenkinson’s Manual of Archive Administration alongside the less well-known contemporary publication of Arthur Schomburg’s ‘The Negro Digs up his Past’. By placing these publications together, this article raises questions about the production and reproduction of the professional canon, as well as highlighting Schomburg’s contribution to key archival questions on the nature of collecting. This work discusses Schomburg’s articulation of the purpose of archival collecting which offers a radically different conception of the value and use of archives, one that focuses on the concepts of recovery and transformation. This article also places Schomburg within the wider emergence of the Pan-African movement and situates his work within the developing Pan-African ideologies and the networks in which he operated, and argues that Schomburg’s legacy can be found in the development of Black-led archives in London.

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