Abstract

This article explores fluvial forms of art and activism to reclaim new meanings of energy at a time when questions about the energy transition are central in geography studies and global environmental discourses. Departing from Serpent River Book by Carolina Caycedo, we propose affective, embodied, and creative entanglements to understand energy flows in river ecologies in Latin America for an exploration of energy geohumanities. We then discuss the methodology of this energy geohumanities project in our engagements with Caycedo’s art, reflecting on our sedimentary writing and thinking process enacted throughout the article. By centering this article on what energies art conjures and releases in affective and political terms, we explore the meanings of doing energy geohumanities in the deployment of a poetics of embodied tensions between flow and containment and between aerial and immersive views that challenge the dichotomies of subject/object, nature/culture and geo/human. Through unfolding a “sedimentary blog writing” method based on geo-mimicry, we hope to make a case for how entangled thinking and writing offer a novel approach to examining the multiple meanings of energy beyond electricity in the extractive zones of hydro-modernity.

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