Abstract
ABSTRACTThis study asserts that philosophical interest in the connection between music and the emotions lies in the light it could throw on the nature of expression. Expression in turn is interesting because of the light it could throw on the nature of understanding and of value. Three different sorts of theory are considered: those that rely on experienced resemblance, those that rely on some imaginative state and those that rely on an aroused feeling. It is suggested, following Malcolm Budd, that room might be found for all these accounts.
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