Abstract

The social role, and consequently the social status, of writers has been recently undergoing interesting transformations. They are not yet always taken into account in the sociology of literature, even though that role (or, strictly speaking, roles) in the second half of the 20th century in many respects differs markedly from that in the first half of this century, or, to adopt a conventional demarcation line, before World War II. These transformations have not yet fully crystallized, but it is legitimate to think that we are witnessing processes whose consequences will be better seen in the next century. On the other hand, prior to World WarII the role of writers did not in fact differ so much from that which they performed in the 19th century, if we disregard certain specifically Polish aspects of the problem, which are not to be discussed here in greater detail. Let it be mentioned only that those specific aspects were fairly numerous: the traditions of the old-style intelligentsia as a social stratum; the role of writers as “the conscience of the nation” in the period when Poland was partitioned by the three great powers; the economic and technological backwardness of Poland in the 19th and in the first half of the 20th century; still now restricted development of mass media and mass culture.

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