Abstract
Roman portraiture is among the most exciting art that Roman culture has to offer, and not only because of the staggering artistic skills and beauty that characterize the best examples. While its study originated in an interest in the “real” personality of the subject, it has long been noted that the physical appearance and character of a person were just two of the possible elements that determined a portrait. Indeed, the commemorative and eulogistic intent of Roman portraiture demanded that ...
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