Abstract
The Rijksmuseum Bulletin is the quarterly, peer-reviewed journal presenting scholarly articles that contribute to historical and art-historical research into the Rijksmuseum collections to an international audience of curators, scholars, students, art professionals and enthusiasts.
Highlights
Erik hinterding, huigen leeflang and manon van der mullen ugo da carpi (Carpi c. 1480-1532 ?) after one or more designs from the workshop of titian (Pieve di Cadore c. 1488/90?-1576 Venice) The Sacrifice of Isaac, c. 1514-15 Woodcut printed from four blocks, 800 x 1200 mm Signed, upper right, in a small leaf: ugo
In the left foreground Abraham takes his leave of his two servants and his ass
The print collector Ferdinand Colón (1488-1539), son of Christopher Columbus, who lived in Seville, for example, owned a copy mounted as a scroll so that it was easy to hang: ‘Rotulo de 4 pliegos ... del sacrificio de Abrahan ... estampado en Venetia por Hugo de Carpi y Bernardino Benalio ...’
Summary
Ugo da carpi (Carpi c. 1480-1532 ?) after one or more designs from the workshop of titian (Pieve di Cadore c. 1488/90?-1576 Venice) The Sacrifice of Isaac, c. 1514-15 (fourth edition, printed c. 1546-50) Woodcut printed from four blocks, 800 x 1200 mm Signed, upper right, in a small leaf: ugo. Like the large woodcut discussed previously, the series of prints was probably designed to be hung on a wall. The Prodigal Son series is one of the earliest known printed works by Anthonisz.
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