Abstract

This article argues that in Il padre infedele, Antonio Scurati deals with the loss of social responsibility that characterises the current era of hyperhedonism, forging a post-metaphysical form of parenthood that, similarly to Massimo Recalcati’s ‘father-witness’, transforms narcissistic jouissance into ethical desire without resurrecting the Law of the Father. Furthermore, it contends that Scurati’s ‘father-witness’ is an embodiment of the ‘writer-witness’ as storyteller who is a recurring presence both in the author’s works and in other works of contemporary literature, and can be viewed as a strategy to combat ethical inertia without reinstating an ‘organic’ discourse of artistic commitment, which may hinder individual engagement.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.