Abstract
This article argues that in Il padre infedele, Antonio Scurati deals with the loss of social responsibility that characterises the current era of hyperhedonism, forging a post-metaphysical form of parenthood that, similarly to Massimo Recalcati’s ‘father-witness’, transforms narcissistic jouissance into ethical desire without resurrecting the Law of the Father. Furthermore, it contends that Scurati’s ‘father-witness’ is an embodiment of the ‘writer-witness’ as storyteller who is a recurring presence both in the author’s works and in other works of contemporary literature, and can be viewed as a strategy to combat ethical inertia without reinstating an ‘organic’ discourse of artistic commitment, which may hinder individual engagement.
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